Search This Blog

Saturday 18 February 2023

SEEING THE SOUL EXHIBITION


SEEING THE SOUL EXHIBITION

"Where the snow falls and the brumbies play" 
Oil on canvas


The seeing the soul exhibition will be held at
COOROY BUTTER FACTORY ARTS CENTRE
11A Maple Street COOROY QLD 4563
Opening to the public on Saturday the 1st of April 2023 and will run till the 30th of April 2023.  
Opening hours are 10 to 3 daily.

The exhibition is an initiative of  
HOOFBEATS SANCTUARY



SEEING THE SOUL EXHIBITION

The exhibition features many artist  as well as myself and Karen Ferguson my favourite brumby wildlife photographer. 
 I personally have entered three artworks, one is donated for the sanctuary and 2 are on consignment meaning half the proceed still goes to the sanctuary, and then as my own initiative 20 percent of my own revenue would go to the rehomer Clearview brumby Rescue situated in Queensland for all the great work they do.  There are also prizes, so do vote for our brumbies and help me give by purchasing one of the 3 artworks! Refer to link above of the exhibition for all information ( click on icon link of 4 horses trotting horses above) 


ARTWORKS ENTERED
first entry


'Where the dandelions grow and the brumbies run free' 
Oil on canvas 'Alla Prima'
56cm x 66cm x 4cm
Photograph reference Karen Ferguson Wildlife Photographer

Below  is the story behind the painting and the 'sister painting' shown also.
 Also refer to link below


NATURAL SELECTION ALONE, A MILLION TO ONE.
 'ABOVE BLUE SKIES LIES A LITTLE RAY OF SUNSHINE' 

In memory of Sunshine a wild filly brumby, of the Sunshine Mob.
Born September 2020 died before Christmas 2020 

Oil Painting 'alla prima' on Stretched 12gm cotton canvas 
66cm x 56cm x 4cm
Photograph reference Karen Ferguson Wildlife Photographer

This little ray of Sunshine, was gifted to me by Karen Ferguson, telling me her story of Sunshine and the Sunshine mob. It follows the discourse of natural selection, as it did with Annie, but unlike Annie, she had no human intervention, and thus the discourse becomes more poignant.  

The story of Sunshine starts in 2020, when in September of 2020 she was born as part of the Sunshine family (Mob.).   This was witnessed by Karen Ferguson, and upon meeting the new bub she took some photographs of Sunshine.

Then eventually one day upon seeing the Sunshine mob, little Sunshine was not with them, and noting that they grazed nowhere near the traps it was understood, she met her end due to the tough environment touching on the natural selection. Little foals have a lot to contend with in the wild, right from birth. Even their own instinct to get up as soon as they are born, due to the ancestral instinct of being a vulnerable prey, as the smell of the placenta would attract many scavengers.   Then of course so many other factors as we know that the ‘wildernesses’ of things, is not a walk in the park. 

This was a special gift as not only does the story relay how unfair at times nature is but also why she has a natural selection, as this keeps numbers down naturally. There is a lot about horses that are so unique as we also know now how they easily spontaneously abort at the sight of danger, and so many other reasons that makes one understand how far removed we really are from nature herself and how little we really know ourselves on how she works.  

These beautiful sentients’ are unfortunately affected by our human condition and all that are ‘Prometheus’ citadels dish out.  More than words can say today. 

Sunshine was obviously mourned not only by her family but by Karen herself.  When Karen gifted this story to me,  she had just witnessed the reverse coin of still 'natural selection, for once again, in July 2022, the Sunshine mob welcomed another foal to their family. Sunshine was gone, but Smokey her brother, joined the mob two years after her passing, and little Smokey is still with us today. Let us hope that he fairs a better chance. A million to one chance of surviving to a full life as a Stallion of KNP. 

 'WHERE THE DANDELIONS GROW & THE BRUMBIES RUN FREE' 2022 
has been donated to Hoofbeats Sanctuary. 




second entry
'Prometheus' and Free the Brumbies and my first brumby painting
This entry is the begging of my journey as a brumby advocate


"THE GREY DIVIDE OF THE BRUMBY" 
Oil on canvas

The story behind the impressionist painting 'the grey divide of the brumby'.

As fires, storms and Covid 19 hit the Aussie shores in 2019, 2020, the familiar of everyday life was visited by the unfamiliar and questions regarding the human condition towards nature were discovered. Relating the layers of life not only through paint but through familiar scenes that uncover the 'unfamiliar' underneath, once you relate the experience of life in the works and tell a story of what is behind. Things are not always what they seem.  For a smile may hide a pain, as a sea may hide a storm beneath its waves.

In remembering my childhood experiences and relating them to the everyday life I began to remember when I started drawing horses at the age of ten, due to my affinity towards them. I would not draw anything else for a few years.  This brought me to the investigation of Prometheus, through my research due to the human condition of property and how our modern society is working against nature, hence Prometheus is revisited in a whole new light.

'The problem with Prometheus' (also the name of my second painting, after ‘The grey divide of the Brumby’) is an investigation on the human condition regarding his mismanagement of nature which is against nature itself, resulting in catastrophic environmental factors and resulting in cruelty towards sentient beings such as Brumbies.  Horses belong to the  environment and the only thing destroying nature is  'The Human Condition'.

‘The grey divide of the Brumby’ brought this to the forefront as Australia’s unique flora and fauna is used as an argument by the Australian government as brumbies are related as not native to Australia and thus considered not wild horses but feral and in need of eradication, to’ save’ Australia’s natural environment, hence relating the grey divide. The Problem is really related to the ‘Prometheus’ idea as our modern society has caused such problems in relation to wildlife, due to our urbanisation and over population of the world and industrialisation.  Thus ‘The grey divide of the brumby’ relates the division between pro brumby groups and environmental groups and brings to the forefront animal rights.

The grey divide  is my fist ever brumby painting and also relates the past of the everyday life as fires hit the Aussie shores and after that the brumbies in Kosciuszko National Park in NSW where being trapped. So not only had they suffered and survived a natural devastation but now, had to contend with their eradication from the wild. 

Please visit the link below of free the brumbies for details of rehoming and how many brumbies have been saved from slaughter.  

🐎FREE THE BRUMBIES🐎



Third entry
The brumby 'PINK SNIP' or otherwise known as 'BESTIE'

"WHERE THE SNOW FALLS AND THE BRUMBIES PLAY"

This painting was inspired by the idea of portraits of the sentients and by the photographer Ian Brown.  Ian and Michelle are wild life photographers, and the referenced used was one of Ian's photographs of his encounters with 'Pink Snip',  a wild brumby that is not only beautiful but has a beautiful family and a personality to boot! 
This was my last painting done in 2022. Hence from my first to my last, this spans my 3 years of concentrating on equine art, of brumbies, and advocacy. 
The painting was to bring out the personality of the horse as well as relating the sentient though a portrait of a horse.  I used also many of Karen Ferguson references as she has a special connection as well with this brumby. Karen calls him Bestie, and due to her close up shots I was able to see his marking, especially the centre of his chest having a swirl of white. His eyes too I was able to redefine due to these references. As well as videos of the horses I paint.  
I try to capture the essence of each brumby through my paintings, their unique personality and their gaze is and must always be capturing, whether they engage you directly or look away shyly. 
and a way of 
'seeing the soul'

This ends my entries for the exhibition. I am honoured to take part of such a cause, and here below is a little about the sanctuary and what they do. 




about hoof beats sanctuary
Hoof beats sanctuary is situated in Doonan QLD,  and the sanctuary Hoofbeats Sanctuary is an initiative of Kanyini Connections Ltd.  
They support vulnerable people – with a particular focus on women and children impacted by trauma.

Hoofbeats Sanctuary was established in 2019. The sanctuary  and is a safe space for those experiencing challenges resulting from trauma to come together in a supportive, non-judgemental environment, free from all forms of pressure, to learn to heal, grow and flourish.

Established in 2009, Kanyini Connections Ltd (formerly called I Give A Buck Foundation of Australia Ltd.) is a charity (operating as a Australia Public Company Limited by Guarantee) fully endorsed as a Public Benevolent Institution, Deductible Gift Recipient and Tax Concession Charity. Kanyini Connections Ltd is registered with the Australian Charities and Not-for-profits Commission (ACNC).

The unique part of this foundation is that they use equine horses for their therapy and also provide a sanctuary for horses that have themselves been subject to trauma.
For example, Indiana, is one of their therapy horses and is also a brumby.  In the link you can see for yourself what Hoofbeats is all about.
'INDIANA' 
a beautiful brumby and one of the 'Therapists' at hoofbeats.