"PORTRAITS OF SENTIENTS"
EQUINE ARTWORKS OIL PAINTINGS 2022-2024
PORTRAITS OF SENTIENTS
LARGE OIL PAINTINGS
Figure 1
ARTWORK VALUE: $ 6000.00EXHIBITED IN INCANDESCENT EXHIBITION 2024 NWC GALLERY KATOOMBA20% of the ARTIST PRICE will go to the Clearview Brumby Rescue
Irish a wild brumby 2022
Pink Snip (Also known as Bestie and Apollo.) Wild brumby 2022
Arrow Boy a wild brumby 2021
Figure 5
'UNDER BLUE SKIES & SHADOWS CAST' 2022
Shadow a wild brumby 2021
Oil Painting on Stretched 12gm cotton canvas 76cm x 56cm x 4cmPhotograph reference Karen Ferguson Wildlife Photographer
ARTWORK: $ 2000.00 EXHIBITED IN INCANDESCENT EXHIBITION 2024 NWC GALLERY KATOOMBA20% of the ARTIST PRICE will go to the Clearview Brumby Rescue
A2 art prints available on request.
GREETING CARDS A5: $10.00 eachRepresenting Clearview Brumby Rescue QLD.Profit is given to Clearview Brumby Rescue
🐴
ALLA PRIMA OIL PAINTINGS
Figure 6
'ABOVE BLUE SKIES LIES A LITTLE RAY OF SUNSHINE' 2022
In memory of Sunshine a wild filly brumby, of the Sunshine Mob.Born September 2020 died before Christmas 2020
Oil Painting 'alla prima' on Stretched 12gm cotton canvas 66cm x 56cm x 4cmPhotograph reference Karen Ferguson Wildlife Photographer
ARTWORK: $ 1800.00
Shadow a wild brumby 2021
In memory of Sunshine a wild filly brumby, of the Sunshine Mob.
EXHIBITED ON LINE INCANDESCENT EXHIBITION 2024 NWC GALLERY KATOOMBA20% of the ARTIST PRICE will go to the Clearview Brumby Rescue
A2 art prints available on request.
GREETING CARDS A5: $10.00 eachRepresenting Clearview Brumby Rescue QLD.50% of revenue is given to Clearview Brumby Rescue
🐴
Figure 7
'WHERE THE DANDELIONS GROW & THE BRUMBIES RUN FREE' 2022
Smokey a wild brumby Born July 2022, Smokey is Sunshine's sibling of the Sunshine mob.
Oil Painting 'alla prima' on Stretched 12gm cotton canvas 66cm x 56cm x 4cmPhotograph reference Karen Ferguson Wildlife Photographer
ARTWORK: $ 1300.00ARTWORK WAS GIFTED to HOOFBEATS SANCTUARY IN 2023 forSeeing the Soul: Hoofbeats Sanctuary Art Prize and Exhibition
A2 art prints available on request.
GREETING CARDS A5: $10.00 eachRepresenting Clearview Brumby Rescue QLD.50% of revenue is given to Clearview Brumby Rescue
🐴
Figure 8
'WHERE THE SUN SHINES & THE EARTH IS GOLD' 2022
Mischief & Aussie Born July 2022, Mischief born to mare Sassy & Aussie born to mare Scarlet.
Oil Painting 'alla prima' on Stretched 12gm cotton canvas 66cm x 56cm x 4cm
Photograph reference Clearview Brumby Rescue
ARTWORK: $ 1800.00
Smokey a wild brumby Born July 2022,
Mischief & Aussie Born July 2022,
EXHIBITED in EXHIBITION 2024 NWC GALLERY KATOOMBA20% of the ARTIST PRICE will go to the Clearview Brumby Rescue
A2 art prints available on request.
GREETING CARDS A5: $10.00 eachRepresenting Clearview Brumby Rescue QLD.50% of revenue is given to Clearview Brumby Rescue
🐴
Figure 9'WHERE THE SKY IS BLUE & THE RAIN DON'T FALL' 2024
Tadpole (on right) & Swifty Born at Clearview 2023.(Tadpole has been rehomed to a forever home and has a new name.)
Oil Painting 'alla prima' on Stretched 12gm cotton canvas
Tadpole (on right) & Swifty Born at Clearview 2023.
76cm x 56cm x 4cm
Photograph reference Clearview Brumby Rescue
ARTWORK: $ 2200.00
EXHIBITED in NWC GALLERY KATOOMBA EXHIBITION 2024 20% of the ARTIST PRICE will go to the Clearview Brumby Rescue
A2 art prints available on request.
GREETING CARDS A5: $10.00 eachRepresenting Clearview Brumby Rescue QLD.50% of revenue is given to Clearview Brumby Rescue
🐴PORTRAITS of
'THE WILD DANDELIONS'
ARTWORKS DRAWINGS
Brin Charlotte and Ziggy rehomed 2021
Derwent colour pencil & Rembrandt pastels on A3 acid free paper 300gm.
Figure 12
Annie in the wild when found.
Rotring tikki graphic ink pens, white charcoal, willow charcoal, graphite, faber castell pitt pens, Staedtler tri plus fine liner .
Photo reference Karen Ferguson Wildlife Photographer.
ARTWORK: $450.00 GREETING CARDS A5: $10.00 each
Representing White Alpine Equine
50% of revenue is given to the rehomers named on drawing.
A3 art prints available on request.
🎠
 Figure 14 'Dreaming Dandelions' 2021 Atlas rehomed KNP brumby 2021 Derwent colour pencil on A3 Black Canson paper. Photograph reference by Clearview Brumby Rescue QLD. SOLD ARTWORK: $ 350.00 PRIZE GIFT 3RD PRIZE 2024 CLEARVIEW NUMBER BOARD GREETING CARDS A5 available on request Representing Clearview Brumby Rescue 50% of revenue is given to the rehomers named on drawing. A3 art prints available on request. 🎠  Figure 15'Elby in the snow' 2021 Elby in KNP 2020 Polychromos Colour pencils on A3 canson Paper 225 gm. Photo reference Karen Ferguson Artwork Gifted not available GREETING CARDS on request. Representing New England Brumby Sanctuary (NEBS) 50% of revenue is given to the rehomers named on drawing. A3 art prints available on request. 🎠  Figure 16 'I am the mountain, the wind, and the rain. I am a KNP Brumby.' 2021 Elby in KNP with family sibling. 2021. Polychromo colour pencil on A3 canson paper 225gm. Photo reference of Elby by Karen Ferguson wildlife photographer SOLD ARTWORK: $ 300.00 GREETING CARDS on request 100 of revenue is given to TRANSPORT FUND A3 prints available on request. 🎠  Figure 17 'Arrow Boy Eating the wild Dandelions' 2021. KNP Brumby in the wild 2021, lethally shot in September 2022. In remembrance of the Fallen brumbies In china ink and rotring tikki graphic ink pens on white A3 canson paper 225gm. Photo reference by Karen Ferguson wildlife photographer Artwork sold not available GREETING CARDS ONLY A5 cards $15.00 with Poem. In memory of all the fallen brumbies by lethal culling 100 of revenue is given to TRANSPORT FUND A3 prints available on request. 🎠  Figure 18 ‘I am the wind, the mountain and the earth, I am a Brumby’ Soulman, a Kiandra KNP Brumby 2021 Polychromos on black A3 paper Photo reference from Melbourne Brumby Rehomers ARTWORK: Sold Not available GREETING CARDS: on request Representing Melbourne Brumby Rehomers 100% of revenue is given to the rehomers named on drawing. A3 prints available on request. 🎠  Figure 19 'I am the twilight of the wild dandelions, I am Shadow, I am a wild brumby.' 2021 KNP Brumby Rehomed to Clearview brumby rescue in 2021 Shadow in KNP' 2020/21 ARTWORK SOLD Rotring tikki praphic pens china ink white charcoal on white and graphite. A3 canson paper 225gm GREETING CARDS ONLY: Representing AUS Brumby Rehomers United A3 prints available on request. 🎠 |
Figure 20
'Amongst the tall grass and the wild dandelions' 2021KNP Wild Brumby 2021.
Oil pastels and white graphite experimental drawing.
Photo reference Karen Ferguson
ARTWORK: Sold not available
GREETING CARDS: on request
Representing Heritage Horses in Harmony
50% of revenue is given to Heritage Horses in Harmony
A3 prints available on request.
ABOUT EQUINE ARTWORKS OIL PAINTINGS
WILD DANDELIONS 2020
ARROW BOY & THE RESEARCH ON THE WILL 2022
Arrow Boy is a Kosciuzsko Brumby that in 2020 was
hit by an arrow and survived the ordeal, unlike his mate, who died of his arrow
wounds.
This of course gives us the discourse of free
will, as to why would make someone do such a thing? Is that then free will or
the conception of conditioning, which is, ‘it was ok’ because these animals are
considered feral by the government. This questions the will regarding ‘the good’
as well as to rationality and the human within the human condition. There are
many tangents attached to this and we can look at the Philosopher Arrow, and
Arrow’s theorem, regarding the ‘social choice’ theories.
I thus
decided the fitting title regarding this story is ‘the death of Kheiron’
(Chiron). When Kheiron dies, becoming mortal to relieve himself of his eternal pain
the arrow wound was causing, Zeus then finally releases Prometheus, of his
suffering as Heracles asks Zeus to release Prometheus of his suffering, thus Kheiron
dies of his wounds and becomes mortal. This of course ties my painting ‘The
problem with Prometheus,’ continuing the same discourse of the ‘human
condition’ and his modernity.
I attached this to Arrow boy as when his friend
died because he was ‘mortal,’ I liken thus, Arrow Boy to the story of Kheiron
as Kheiron in spirit may not be as strong as our Arrow boy, in the will to
survive. Arrow Boy’s survival can be due to several things. Luck maybe, but
what of strong DNA as Brumbies have now been related to have strong DNA ties to
rare horse breeds and a number, have the strong genes of the Walers to boot.
Attaching ethereally such stories, is a way to remind the viewers that we as mortal humans have had the conflict that we see today is our citadels for centuries. Cities change faces but the fundamentals of the human condition plagues us continually. As in Prometheus, name in Greek mythology as the giver of invention to the human by giving him ‘fire.’ A simple version of the story can be found here.
The story was also used at first by Shelley when
she wrote Frankenstein. Relating the book as the modern Prometheus, as the
professor is likened to Prometheus for giving back ‘immortality’ to the mortal
human, a modern twist in reverse. Shelley attaches many tangents also relating
to love and the female condition of her time. For me, the link gave birth in my
view, to the modern problem of ‘Prometheus’ as I relate the science part of
Prometheus to the problem of our modern citadels. Hence the title of my second
painting ‘The problem with Prometheus.
The Brumbies are innocent creatures that in their
sentient self, suffer, because of our modern cities that has caused the chaos
of our environment that we live in today. From Global warming to the
destruction of pristine land for our own commodities whether it be for
urbanisation, mining, or overproduction to keep the ‘overcrowding’ of our
humanity alive. Because the truth is, the biggest number of living things that
are destroying our planet are called humans. Animals are a minority in the
problem when weighed against our human condition and our own numbers.
We are arguing against a false number related of
first fourteen thousand now six thousand brumbies, in which the number may be
more under three thousand, but if we were to compare that to the human number, (oh we cannot do that in case we are seen as anthropomorphic in ideals). How
ridiculous are the numbers argued when compared to the human numbers that are
overcrowding our planet Earth. This problem was related by several philosophers,
and in the philosopher Huxley, we now understand
too well what he meant by overpopulation.
This comparison is only to relate ‘common sense’ ‘will and free will’ ‘freedom’ and ‘human’ within the context of our created world. Are we willing to continue with our ways, then, when we now know the suffering of animals imposed under our human conditions of ‘the human condition.’ Singer explains this very well. We also do have free will to choose.
"Arrow Boy is still wild and hopefully somewhere
chewing on green grass. Trapping continues in Kosciuszko and no changes are
foreseen for the near future. We can only hope if caught he is rehomed. My
prayers are with you Arrow Boy." 2022
Arrow boy was ground culled short after this writing. He was culled in September 11th 2022 with another 12, in total 17 counting the aborted fetuses.
References
A POEM
A BRUMBY
CALLED ARROW BOY
As tears roll down my face,
I cannot
help but think where the wind will sway,
&
Although I never met you, I knew you all too well
Through
your reclusive ways & your saddened eyes,
I had been
told that you had found a friend & shared some time,
But lost
your friend, some time ago, by an arrow thrown.
& You
wore the mark of that fatal day in many ways,
Seen on
your mind, and behind that stare, I understood whom you had become.
& How
so I admired your will to live, & yet again you were alone, a king alone.
I never met
you, & yet I know you well, but now, never shall we meet.
For I was
told how you found your peace with your love and new family,
But then, a
tragic tale did unfold.
Eleven family
members, all of which died by a shot gun done,
Without a
sound, without a word, without a thought.
Your whole family lies slain & the image of you,
on your
side with Arrow mark, at your repose.
& The
pictures of the mares that post aborted as nature took its toll
& More
pictures of all your family, with news of you are here to view.
For all the
world, not just a few.
Three days have passed since the sad news reached my ears,
& Yet,
my eyes are still full of tears.
& I
thought of how, I sat for hours this last year,
Trying to
put your soul to brush, & stroke by stroke,
& yet,
I could not understand, My own guiding soul.
But now I
do, hence, the sky surrounds your face,
For you are
now in the forever fields of the wild dandelions to run free.
& I
hear the faint sound of you, whistle in the wind,
As you run free with your family,
Away, away,
from evil eyes and dangerous sounds
& All
of us here can only weep & shed but tears,
For our
Arrow boy is here no more, except in our hearts and our saddened thoughts.
Series 3 LXIII
2022.09.13
Syndy
Esteves
Please respect copyrights and intellectual property.
Painting : Arrow Boy & the death of Keiron.
August 2022
Photo reference used Karen Ferguson
Free The Brumbies by Syndy Esteves
🐎
SPIRIT OF THE MOUNTAIN
Photo reference Karen Ferguson Wildlife Photographer
The research on sentient and portrait 2022
The story of Spirit, as you already know, he was
a king of stallions in KNP having sired offspring’s and had a good standing in
the horse world as well as a close family unit and bond. He was captured,
rehomed, and mourned his family for a while before he accepted any other mare
given to him to keep him as a horse should be kept. Yes, mourned his family,
but now accepted his new family and living happily rehomed in his forever home.
It is difficult to make the references without
people misunderstanding that I am giving a ‘human reference’ to a horse, when I
relate family or offspring, but to make it clear my reference to the sentient
is to the horse being a ‘sentient’ not a ‘human.’ We need to understand that we
are not the only sentients on this earth and there are several of ‘sentient
beings’ within the animal kingdom.
In explanation, if ever you see any reference of
mine regarding a horse, or any other animal per se, that sometimes uses the
analogy of the human, please understand that it is only used to give a better
understanding of what a sentient is, but not saying at any time that a horse is
a human or has human characteristics or vice versa. We should thus, not mistake
the species identity in reference to speciesism. But do refer to a sentient of
any sentient species to be a sentient within their own rights. Therefore, the
term of anthropomorphic references does not apply here, that being an animal
with human characteristics, or any other theory attached to the term. But what
is implied is the references to speciesism, and this is mostly at the
forefront, especially in reference to Singer and his book Animal Liberation,
where he defines speciesism as “…a prejudice or attitude of bias in favour of
the interests of members of one’s own species and against those of members of
other species…” He also relates the philosophical idea to … ‘treat one animal’s
life as more valuable than another’s ….’ Therefore, empathy is used by me to
simplify the understanding. This is done via the analogy of ‘the human’ to the
horse.
In my view, I think to myself, Would I like to be
treated that way, so thus relate the means back to the human as per our human
condition sometimes removes us from the empathy as we see animals as a
commodity. But in no way referring to the horse being of human characteristics
or the human of having horse characteristics. We are all unique, and each
species is unique, and we must not misunderstand the intent of what is meant by
sentient.
This takes me now to the portrait itself. The
horse pictured and painted as a portrait as a human would otherwise be painted
in a portrait, is to establish the fact that within portraiture we have
hierarchy, we have intent, we have subject, we have ‘family,’ we have the
‘individual’ and the subject also engaging or not engaging the spectator. Thus,
relate that a horse, this horse, has family, is unique and an individual as a
horse, he also has hierarchy within his species, they are sentient, and are
also intelligent, so, can engage, and speak to the viewer as a human can in any
portrait. A sentient not a human but a sentient. A sentient horse named Spirit
of the Mountain by the persons that now have him as their ‘property’ as in
reference to our citadel and our ‘Prometheus’ world.
References
🐎
Annie was a little filly found orphaned by Karen Ferguson on one of her Photographic expeditions to Photograph brumbies, in the Kosciusko National Park. She rescued her and Nikki Alberts of White Alpine took her in, but despite all efforts she passed away suddenly to the forever fields of the dandelions. 🐎🐎Following are the written events as per the post in 'The Keepers Pocket - Photography by Karen Ferguson' FB page written by Karen on the post dated 30th October 2021, the post reads as follows, and quote:
 |
| Annie in KNP Photo reference used. Photo by Karen Ferguson |
As luck would have it I came across Harry's mob, and I was excited to see them because I'd taken a photo of their new foal the week before but it wasn't very good. Mama was very protective and wouldn't allow me close enough, so I thought I'd pull over and see if this week would allow me a closer look.
As I started walking towards the mob, I noticed Harry and Gus had their attention focused a little further down the hill, and I thought there must have been another mob close by. I took a few photos, and then got curious about why Gus was so agitated with whatever was down the hill. I headed down that way, but couldn't see another mob anywhere. I was about to turn around and sit with Harry and the mob when I noticed a little tail wagging from behind some trees.
That's when I discovered Annie. I looked around for her mob and even though there was another mob not far away, they seemed to have no interest in her. She had take refuge in a little triangle of trees. It was her safety zone. She didn't appear to be injured, but she was weak and obviously hungry.
I sat with her a bit, and she came out and suckled my hand but went back to her triangle when she realised there was nothing to be gained from my hand. It was late and I knew I couldn't leave her there alone, but I also knew I needed to find help. I reluctantly left her there and headed to a nearby campground to seek help. My pleas for help went unanswered at the campground, so I drove a little way up the road to get phone service. By this time I was getting frantic and planning to spend the night in the bush. Thankfully Nikki and Kyle answered my call for help and they came to the rescue. The three of us guided this little angel to their vehicle and she was such a trooper, making the task much easier than it could have been. So, Annie is now safely in the hands of White Alpine Equine being well taken care of.
Apart from being dehydrated and very hungry she appears to be in good health.
I'd had such a big day and I was exhausted, but I'm so glad I made that split decision to turn left instead of right. It was a chain of events that unfolded in just the right way to lead me to Annie, and I'm so grateful for the help I received in getting her to safety. I am certain she would not have survived out there on her own, and that little triangle of trees she had claimed as a safe zone would not have protected her from starvation or wild dogs.
I cried most of the way home, mostly because I'm an emotional basket case at the best of times...but also because I was relieved that Fate had intervened and saved this beautiful little girl from certain death.
❤🐴❤🐴❤🐴❤" 🐎💕🐎
I like to think that the stallions Harry and Gus knew that Annie’s only chance was with humans, as nature works on natural selection. Instinct tells the horses or most other mammals really that one that will survive and the one that does not. Stories similar to Annie's are widespread, whether it be a horse, a donkey, an elephant, or a lion cub. 🐎🐘🐒 To strengthen this, In my last venture, to Clearview Brumby Rescue QLD, I also observed the difference in the domesticated horses to the wild brumbies. The brumbies, seem more still and calmer, they think before they act, they seem to have an independence because of this, that the domesticated horses do not seem to have, I put it down to the conditioning of the domesticated horse, as he from birth is directed and ordered, where the brumby was born free and in a equine family structure. The question of freedom as well as the natural selection, also became of value in the thinking process.
 |
| Annie Unfinished Stage of drawing |
My Post was put up on St Valentines day 14th February 2022 and it read as follows;
We cannot change the past and our laws do not favour brumbies relating to the 'native' of things. Brumbies are post native and so are dandelions and many other fauna and flora. We cannot eradicate the past we should let nature re-establish herself and let her do what she does best, control her own wilderness by her natural selection of things. She will have a better answer than us.
The drawing of Annie is not finished yet and is still in progress. My reference is one of Karen Ferguson's photos of when she first rescued little Annie. You can see Annie asking for help and love in those eyes. In which she got from Karen. As I draw her, she to me, as I stare at her she stares back and asks me, 'why?' I don't know why Annie, I really don't.
But we are doing our best to try and save your brothers and sisters. My promise to you, Annie.
And you turn away and I see you now happily running through the dandelions that are swaying in the breeze. I see also your mum who waits patiently to join you, with a tear in her eye and asks herself why.
Syndy 🌬🐎💙"
🐎
In memory of Sunshine a wild filly brumby, of the Sunshine Mob.
This little ray
of Sunshine, was gifted to me by Karen Ferguson, telling me her story of Sunshine
and the Sunshine mob. It follows the discourse of natural selection, as it did
with Annie, but unlike Annie, she had no human intervention, and thus the discourse
becomes more poignant.
The story of Sunshine
starts in 2020, when in September of 2020 she was born as part of the Sunshine
family (Mob.). This was witnessed by Karen Ferguson, and upon
meeting the new bub she took some photographs of Sunshine.
Then eventually
one day upon seeing the Sunshine mob, little Sunshine was not with them, and
noting that they grazed nowhere near the traps it was understood, she met her
end due to the tough environment touching on the natural selection. Little foals
have a lot to contend with in the wild, right from birth. Even their own
instinct to get up as soon as they are born, due to the ancestral instinct of being
a vulnerable prey, as the smell of the placenta would attract many scavengers. Then of
course so many other factors as we know that the ‘wildernesses’ of things, is
not a walk in the park.
This was a
special gift as not only does the story relay how unfair at times nature is but
also why she has a natural selection, as this keeps numbers down naturally.
There is a lot about horses that are so unique as we also know now how they
easily spontaneously abort at the sight of danger, and so many other reasons
that makes one understand how far removed we really are from nature herself and
how little we really know ourselves on how she works.
These beautiful sentients’ are unfortunately affected by our human condition and all that are ‘Prometheus’ citadels dish out. More than words can say today.
Sunshine was obviously mourned not only by her family but by Karen herself. When Karen gifted this story to me, she had just witnessed the reverse coin of still 'natural selection, for once again, in July 2022, the Sunshine mob welcomed another foal to their family. Sunshine was gone, but Smokey her brother, joined the mob two years after her passing, and little Smokey is still with us today. Let us hope that he fairs a better chance. A million to one chance of surviving to a full life as a Stallion of KNP.
Smokey a wild brumby Born July 2022,
References
A WILD BRUMBY NAMED SHADOW This artwork has now also become the logo for AUS BRUMBY REHOMERS UNTED.
WILD BRUMBY FOREVER
THE IDENTITY OF A WILD BRUMBY
&
OWNERSHIP AND LABELS
'A WILD BRUMBY NAMED SHADOW, NOT A BRUMBY, ANYMORE'
'Where the sun shines & the Earth is gold' 2022
.jpg)
THE STORY OF MISCHIEF & AUSSIE
Where the sun shines & the Earth is gold .
Mischief
and Aussie were born in September 2022 at Clearview Brumby Rescue. Their mums,
Sassy and Scarlet came from Kosciuszko National Park. Both expecting, they were
trapped and arrived at Clearview Brumby rescue in July 2022.
In
September 2022, Mischief and Aussie were born. Sassy a bay mare had Mischief
and Scarlet a chestnut mare had the filly called Aussie. Sassy and Scarlett
were placed in the same pen to birth and lay side by side and Mischief and
Aussie were both born on the same day a few hours or so apart.
Mischief
was born first, and as soon as he got up, he was up to no good. Mischief
decided to investigate, and he ended up in the pen next door where another mare
Goldie, with her foal Rain, were. But Mischief never found his way back to his real
mum. Goldie got confused as she found herself feeding two foals and, in the
meantime, Scarlet was still delivering her foal and Sassy was missing one. When
Sassy finally got up and in not seeing her own foal, she decided to take
Scarlett's foal as Scarlett was still laying down too tired just after
delivering her bub. Eventually Scarlet got up and found herself alone without a
foal as Sassy had stolen hers.
The
next morning, Grandma and Grandpa (Moreen and Paul) went into the pens to find
a real kerfuffle. They found Mischief next door, Sassy with Scarlet's foal and
Scarlet was all alone without a foal, brooding in a corner. So they swapped
back the foals to the rightful mums, but found Mischief was his naughty self,
thus the 'grandparents' decided to put all 3 mares in the same pen, to let them
work it out, by themselves. It was a bit of a kerfuffle for a bit, especially
between Sassy and Scarlet, but they worked it out themselves. The result was
that Sassy kept Aussie, and Scarlett kept Mischief, hence swapped foals. For
now they are living all together, and the foals are sharing milk between the
three mares, so a happy ending after all. !!
No comments:
Post a Comment